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Camilla Ridgers (b. 2000) is an intermedia artist living and working in London.
I create work that navigates the intersections of femininity, materiality, and digital culture, drawing from my background in Computing and Fine Art. My practice revolves around an ongoing fascination with liminality—how states shift, dissolve, and reconstitute themselves.
I think of my work as a way to repurpose technology, not in its expected applications, but in the moments where it is misused, reinterpreted, or breaks down. It sits within a transitional space—caught between exposure and concealment, visibility and invisibility—always shifting between these dualities. Like the chemically preserved flowers in Flora in Flux, suspended between life and decay, my work explores forms that exist in an artificial or extended state, neither entirely one thing nor the other.
I am drawn to the limitations of systems, to the points where they falter or reveal something unexpected. By working within these constraints, I look for new ways to articulate form and meaning, extracting something tactile from the digital and vice versa.
Didots Global Talent Showcase Online Exhibition, (2025)
Thirst Trap, Central Saint Martins, London, UK, (2024)
“we are here, here we are” issue 1, Off The Block Magazine (2023)
‘Anatomy of Ascension’, Yaa Centre, London (2022)
Uncensored, Candid Arts Centre, London (2022)
Publication contributions
The Face Magazine (2024)
FWord Magazine (2024)
Grazia (2023)
Plates of Meat Magazine (2023)
Creative Direction and Styling work
Dan Shake Eurpoean Tour, 2024
Lola Young for Crisis Homeless Charity, 2023
Love not Landfill Campaign, 2023
Aro Collective Editorial, 2023
Rushh Magazine, Dior Specical, 2022
Jimmy Choo , 2022
Circular Threads, 2021
Nominated MullenLowe Nova Awards for Fresh Creative Talent at Central Saint Martins (2024)